I wrote the below slice of fiction about sisters.
A younger sister is visiting her older. I wrote it decades ago. I was trying to use color. And scent. And pain. In order to bring a reader to where the girls were.
These days I am writing about the 1990s, and also about current-day Manila and its surroundings. I am thinking about sentences, as always do, in terms of truth. When Iโm struggling to get something down I will prompt myself with The exact truth is simple and straightforward and itโsโฆ and then I keep going. It tends to work, especially when Iโm feeling strong and cared for.
I donโt think in paragraphs. Theyโre boxy. And feel like arbitrary stacks of sentences, existing without even the benefit of being a stanza, or a verse. A paragraph is often more about design than anything writerly. That little indent (tab!) can feel like habit. Or like a liโl trophy for getting to the end of an idea, or to a shift in energy. I donโt really want a trophy until I type THE END, but Iโm low-key โฆ
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