DANYEL'S SHINE BRIGHT HQ

DANYEL'S SHINE BRIGHT HQ

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DANYEL'S SHINE BRIGHT HQ
DANYEL'S SHINE BRIGHT HQ
mustard ๐Ÿ” + Cali ๐ŸŽต + miso ๐ŸŸ + a writer's senses

mustard ๐Ÿ” + Cali ๐ŸŽต + miso ๐ŸŸ + a writer's senses

can i call u ๐ŸŒน

Danyel Smith
Jul 11, 2024
โˆ™ Paid
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DANYEL'S SHINE BRIGHT HQ
DANYEL'S SHINE BRIGHT HQ
mustard ๐Ÿ” + Cali ๐ŸŽต + miso ๐ŸŸ + a writer's senses
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I wrote the below slice of fiction about sisters.

A younger sister is visiting her older. I wrote it decades ago. I was trying to use color. And scent. And pain. In order to bring a reader to where the girls were.

These days I am writing about the 1990s, and also about current-day Manila and its surroundings. I am thinking about sentences, as always do, in terms of truth. When Iโ€™m struggling to get something down I will prompt myself with The exact truth is simple and straightforward and itโ€™sโ€ฆ and then I keep going. It tends to work, especially when Iโ€™m feeling strong and cared for.

I donโ€™t think in paragraphs. Theyโ€™re boxy. And feel like arbitrary stacks of sentences, existing without even the benefit of being a stanza, or a verse. A paragraph is often more about design than anything writerly. That little indent (tab!) can feel like habit. Or like a liโ€™l trophy for getting to the end of an idea, or to a shift in energy. I donโ€™t really want a trophy until I type THE END, but Iโ€™m low-key โ€ฆ

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ยฉ 2025 Danyel Smith
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